10.0 韩语 · 2025 · 韩国 · 日韩综艺
洪锡天,金嘟嘟,金宇彬,罗渽民,李润,张振赫,金诗润,尹产贺,朴允浩,任时完,金元勋,姜有锡,徐廷雨,车雄基,金旻奎,曹承衍,崔胜哲,金珉奎,金俊勉,裴贤圣,崔伞
8.0 韩语 · 2025 · 韩国 · 日韩综艺
洪锡天,金嘟嘟,金宇彬,罗渽民,李润,张振赫,金诗润,尹产贺,朴允浩,任时完,金元勋,姜有锡,徐廷雨,车雄基,金旻奎
纽约。短篇小说作家Sam（乔什·拉德诺 Josh Radnor 饰）在见出版商的地铁上认识了一个小男孩Rasheen，他和家人走丢了。Sam了解到Rasheen原来是个寄养的孩子，但他现在不想回去原来寄养的那个家庭，Sam只能把他留在家里。在酒吧里，Sam认识了女歌手Mississippi（凯特·玛拉 Kate Mara 饰），他把她带回家......Sam最好的朋友Annie（玛琳·阿克曼 Malin Akerman 饰）始终与前男友纠缠不清，而同事Sam二号则热烈地追求着她。Sam的另一个好友Mary Catherine（佐伊·卡赞 Zoe Kazan 饰）则和深爱着的男友Charlie陷入了深深的矛盾：Charlie的朋友Dave想让他到洛杉矶一起做生意，需要他们搬家到洛杉矶，但Mary并不想离开纽约......
6.0 韩语 · 2025 · 韩国 · 综艺
洪锡天,김똘똘,金宇彬,罗渽民,李润,张振赫,金诗润,尹产贺,朴允浩,任时完,金元勋,姜有锡,徐廷雨,车雄基
多年前，周克一袭西装独身硬闯黑帮窝点，救出兄长巴诺，最终却被捕入狱。一晃多年，出狱后的周克化名李非混迹市井过着无忧无虑的生活。然而平静的街头暗潮涌动，新的恶浪更是可怖，而这一次，周克又该如往何方。
7.0 韩语 · 2024 · 韩国 · 日韩剧
李泰彬,车柱完,吴民秀,车雄基
Magdalena and Maria are two twin sisters who were separated at birth and know nothing of the other’s existence. Maria runs away from the boarding school in which she was brought up and finds work as a cabaret performer in the cafés of Marseilles. Magdalena lives with her adopted parents and works in an art gallery. The two sisters are joined by an invisible bond which draws them towards the same tragic conclusion. Director Werner Schroeter has acquired a reputation as an experimentalist filmmaker, hailed by some as an underrated genius, reviled by others for being a peddler of self-indulgent kitsch. Deux is arguably Schroeter’s most ambitious, unsettling and repulsive work to date. The director certainly wastes no time in alienating his audience; from the first ten minutes of the film it is clear this is not going to be an easy ride. The narrative cuts haphazardly between seemingly unconnected events, alternating between realism and stylised fantasy dream sequences, periodically shocking the spectator with graphic images of lesbian sex and a woman being slowly disembowelled. Having several actors playing multiple parts only adds to the sense of artifice and utter confusion, which is a pity as there is manifestly a lot of great acting talent on show – not least of which is Isabelle Huppert. The film’s sheer relentless grotesqueness and self-indulgence is so extreme, so unbridled, so stomach-churningly provocative, that it is hard to take any of it seriously.